The Alleygators were formed from the legendary (notorious?) Captain
and the Red Hot Blues Band/Red Hot Flames (1982-1989) as a Guitar/Sax
duo in 1991. Playing blues originals - New Orleans R & B, and Mardi
Gras tunes. The Gators worked as a duo, trio and 4-piece band 25-30
nights a month from 1991-1997 and released 2 CDs - Rockin' Rhythm and
Blues 1993 & Mojo Alley 1995. David went solo in 1997 and recorded
a cassette only release - 6 Pairs of Bloomers (Now on CD as Oh
Brother-I'm Here!) and the CD Take Out Your False Teeth Mama
(now out of print). Shortly after that the "swing thing" became
big and Mr. David Booker and the Swingtet were formed in 1998. They're
still going strong, playing many weddings, corporate events and occasional
swing nights. 2 CDs were recorded: Cowtown Jive (1998), a live
set at Trios/Enoteca in Downtown Denver, and "Now
Booking" (2001) a cool studio set. They are both now out
of print.
"Between
1991 and 1997, Denver, Colorado based ex-singer/guitarist with the Dynatones
David Booker was the driving force behind and the one consistent figure
in The Alleygators, a cult band now lovingly commemorated on the lively
and slightly offbeat Chomp!
Best of the Alley Gators ... Drawing from the band's two CDs
and a couple of numbers from a 1997 solo album by David, this set contains
plenty of low-down Swamp blues and uptempo rocking material, jazzy New
Orleans R&B (especially noteworthy is the wonderful sax playing
from Sonny Gunn) and some slippery funk, plus numbers drawing inspiration
from Billy Boy Arnold, John Lee Hooker and Jimmy Reed. Lovely stuff
from Denver...but did I mention David was born a Mancunian!"
-
Norman Darwen, Blues In Britain
"Chomp!
(DWM Music 802) collects the best of the Alleygators' 1990s output.
Guitarist David Booker, a veteran of the Dynatones, took their Bay-area
soul to Denver and added plenty of swamp water when composing and
recording these clever tracks. Refreshingly, his vocals are relaxed
and understated and his playing is song-oriented. Roots-rock flair
permeates cuts like "Bring Back My Cadillac," and tough
blues are in ample supply, from the slow "Lazy Woman" to
the wish-you-would jump of "Pompadour," a blues perhaps
uniquely centered on a haircut rather than a wig. Sonny Gunn's tenor
and baritone saxes add immeasurably to the arrangements. Jimmy Reed,
Excello, jump blues, and Tony Joe White echo through these grooves."
-
Tom Hyslop, Blues Review
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